Botox, Loss of Empathy and Darwin

There's an article about the evolution of facial expressions published in 2008 at Discover Magazine. The Article (3 decent pages) goes into detail on Darwins fascination with human and animal facial expressions. The author (Carl Zimmer) traces the early studies of Darwin in this field through to the understanding of modern science. It's fascinating stuff, especially when they start talking about the Botox.
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According to science a good part of our ability to understand facial expressions, to empathize with people, depends on our ability to mimic the expression. When we mimic someone's expression, we actually experience the emotion. As Darwin discovered even understanding the snarl of a dog is easy once you writhe your own lips and expose teeth (which makes me wonder about mimicking alien faces).

In different studies researchers paralysed or otherwise limited people's ability to smile. They found that this inhibited the test subject's ability to understand/recognize a smile in a picture. Using brain scans researchers have actually mapped a direct link between facial muscles and brain activity in the emotion centres.

Fascinating stuff. But where is the Botox? Well it so happens that not only are researchers paralysing facial muscles, but so are plastic surgeons. And the muscles they tend to paralyse the most? Frown lines.

People are unable to frown, and thus are less able to understand/empathize with the emotions that produces those frowns. Emotions like anger and sadness. It can be theorized that this is leading to a happier population. Fewer people frowning, triggering few empathetic frown responses, and the spiral goes down to zero. It may even explain why the Stars seem to have a better life than the rest of us. They do have a better life. They can't get sad or feel the pain of others as easily.

However the article finishes with this comment on our Botox Culture:
"But for all the Botox youthfulness plastic surgeons may want to think about, neuroscience raises a darker possibility. Making faces helps us understand how other people are feeling. By altering our faces we’re tampering with the ancient lines of communication between face and brain that may change our minds in ways we don’t yet understand."


Now that could be an interesting story.



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Best writing advice EVER?

Not from me, however there are a few established authors willing to give that question a spin. Over at SF Signal are the collected answers of a number of authors, Ben Bova through to Robert Silverburg, in a little thing SF Signal calls a 'Mind Meld'. I suspect they borrowed the term from somewhere. ;)

The best advice I personally received came during a writing course conducted by Paula Johanson.
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She asked each of us if we wanted to become writers. Then, after a number of affirmative responses, she produced her magic wand (it was invisible!) and waved it over our heads, pronouncing the magic words "Yew Err Wryters". (Only it sounded more like "You are writers"). Then she said "Ok, that's done. Now there's nothing stopping you. Time to get started."

The point is: There really is nothing stopping you, or anyone from being a writer. Even Stephen Hawking writes and he arguably faces challenges most of us can't conceive of. Much of the advice in the SF Signal article is similar. Just write, don't fret or worry too much about it, just get the words on the paper. Once they are down then you can go nuts on the editing or submitting, but get the story out first.

Yesterday morning I found myself unable to finish my story for my writing group. It was due in the evening and I was stalled only a couple of thousand words in. I had already revised the beginning twice and changed the whole story in my head a dozen times.

In the end I had to produce something and felt like I'd made a mess of this story. So I put that story aside and sat down to start writing something new, something fresh. For the rest of the day I wrote and by the evening I had a story. It was a complete simple piece that didn't even need much editing to make it ready to send to the group. The key was I stopped questioning myself, my ideas or my story and instead just wrote.



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The Valiant tastes of Death but once

Shakespeare's Julius Caesar:

Cowards die many times before their deaths;
The valiant never taste death but once.
Of all the wonders that I have yet heard,
It seems to me most strange that men should fear,
Seeing that death, a necessary end,
Will come when it come.


Richard Clancey was the teacher that gave me the world through the sharing of his passion for literature. For three years I had the privilege of being one of his students.
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I remember the smell of chalk, wooden desks and old books. I remember sitting in tightly packed rows of desks, while we read from a play, or watched one of our many debates. But I don't remember boring vocabulary lists and long droning lectures on grammar.

Mr. Clancey's room was more than a classroom; it was a sanctuary where we could explore literature, and the ideas that drove it. It was a battlefield where in debates passion could trump logic, where we tested and formed our own beliefs and ideals.

Mr. Clancey was more than a Teacher, he was our Moderator, our Mentor and our Friend. We were given the gift of being taught by someone who truly cared for us. Someone who shared his wisdom and experience happily. Mr. Clancey's legacy is the passion that he gave his students for something so generically called 'English'.

In his obituary a line was quoted from the "The Parting Glass", an old Irish (drinking) song. I've copied it below with a few more lines from the verse.


Of all the comrades e'er I had, they're sorry for my going away.
And all the sweethearts e'er I had, they wish me one more day to stay.

But since it falls unto my lot that I should go and you should not I'll gently rise and softly call, good night and joy be with you all. Fill to him the parting glass.



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Market Mondays: Contests - Free Ones

Continuing on a little bit of a contest theme from last week, I've compiled a short list of some of the better Speculative Fiction Contests to enter. Ones with a name that are reasonably trustworthy.
* though I will note the Hubbard one does send a lot of emails, if you sign up for the newsletter
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FREE Short Fiction Contests: (no entry fee)

The L. Ron Hubbard Writers of the Future Short Fiction Contest. Each year the winners of the contest wind up published in the Writers of the Future Anthology. Good books, and many good Authors have been winners in the past. This is a contest judged by some of the biggest names in the industry : Kevin J. Anderson, Gregory Benford, Orson Scott Card, Anne McCaffrey, Larry Niven, Frederik Pohl, Jerry Pournelle, Robert Silverberg and more.
Quarterly Entries.

The Jim Baen Memorial Short Fiction Contest sponsored by The National Space Society and Baen Books . This is a great contest meant to really encourage new writers. There are no guarantees of being published but the opportunity to have your writing evaluated by Baen Books senior editor Hank Davis and Authors Eric Flint and Mike Resnick is pretty valuable.
Deadline: April 1, 2009.

PARSEC Science Fiction and Fantasy Short Story Contest. This is the 14th iteration of this annual contest. This year the judges are Tor Books Author Walter Hunt, Young Adult Author Sarah Beth Durst, and Author S.C.Butler. The winner will be published in the program book for the Confluence 2009, the annual literary Sci-Fi convention in Pittsburgh.
Deadline: April 15, 2009

The First Annual Spectra Pulse Short Fiction Contest. This one actually closes in a few days, but I'm mentioning it because it meets the criteria of a good contest and with luck will be run again next year. This contest is sponsored by Bantam Spectra, which ultimately traces back to Random House Publishing. This contest will feature the winners story in the summer issue of Spectra.
Deadline: January 31, 2009

Good luck. If you are looking for more contests, below are some of the sites I use.

The Canadian Authors Association website lists a number of markets, and contests.

Ralan's Webstravaganza contains both Market listings and contest listings.

Good information can also be found at Young Adult Author David Barr Kirtley's Resources for Teen Authors (not all the contests there are restricted to teens).

* remember to evaluate the contests before committing your work or money to anything



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Fiction Fridays: Vanity List

In this case the Vanity part is marking off all of the titles I've read on the list of 149 SF&F Novels Everyone must read. This started with a series of articles at The Guardian covering the 1000 Novels Everyone Must read. My copy of the list was taken from the SF Signal article where this little meme began.

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The Bolded Titles are ones that I have read. I counted 44, but my eyes went blurry near the end. This is also just from memory, however what looks clear is that most of what I've read is old. I blame that on inheriting a good chunk of my Sci-Fi Collection. Though my Dad doesn't seem to think I've inherited anything yet, something about him still being alive and wanting his books back.

A couple of books or authors that I would add: The Listeners by James Gunn or anything by Gregory Benford

Feel free to copy the list and do the same in the comments or on your own blog. *Thanks to SF Signal and other bloggers for compiling it in an easy to use format.

1. Douglas Adams: The Hitchhiker's Guide to the Galaxy (1979)
2. Brian W Aldiss: Non-Stop (1958)
3. Isaac Asimov: Foundation (1951)
4. Margaret Atwood: The Blind Assassin (2000)
5. Margaret Atwood: The Handmaid's Tale (1985)
6. Paul Auster: In the Country of Last Things (1987)
7. J.G. Ballard: The Drowned World (1962)
8. J.G. Ballard: Crash (1973)
9. J.G. Ballard: Millennium People (2003)
10. Iain Banks: The Wasp Factory (1984)
11. Iain M Banks: Consider Phlebas (1987)
12. Clive Barker: Weaveworld (1987)
13. Nicola Barker: Darkmans (2007)
14. Stephen Baxter: The Time Ships (1995)
15. Greg Bear: Darwin's Radio (1999)
16. William Beckford: Vathek (1786)
17. Alfred Bester: The Stars My Destination (1956)
18. Ray Bradbury: Fahrenheit 451 (1953)
19. Poppy Z Brite: Lost Souls (1992)
20. Charles Brockden Brown: Wieland (1798)
21. Algis Budrys: Rogue Moon (1960)
22. Mikhail Bulgakov: The Master and Margarita (1966)
23. Edward Bulwer-Lytton: The Coming Race (1871)
24. Anthony Burgess: A Clockwork Orange (1960)
25. Anthony Burgess: The End of the World News (1982)
26. Edgar Rice Burroughs: A Princess of Mars (1912)
27. William Burroughs: Naked Lunch (1959)
28. Octavia Butler: Kindred (1979)
29. Samuel Butler: Erewhon (1872)
30. Italo Calvino: The Baron in the Trees (1957)
31. Ramsey Campbell: The Influence (1988)
32. Lewis Carroll: Alice's Adventures in Wonderland (1865)
33. Lewis Carroll: Through the Looking-Glass, and What Alice Found There (1871)
34. Angela Carter: Nights at the Circus (1984)
35. Angela Carter: The Passion of New Eve (1977)
36. Michael Chabon: The Amazing Adventures of Kavalier and Clay (2000)
37. Arthur C Clarke: Childhood's End (1953)
38. GK Chesterton: The Man Who Was Thursday (1908)
39. Susanna Clarke: Jonathan Strange and Mr Norrell (2004)
40. Michael G Coney: Hello Summer, Goodbye (1975)
41. Douglas Coupland: Girlfriend in a Coma (1998)
42. Mark Danielewski: House of Leaves (2000)
43. Marie Darrieussecq: Pig Tales (1996)
44. Samuel R Delaney: The Einstein Intersection (1967)
45. Philip K Dick: Do Androids Dream of Electric Sheep? (1968)
46. Philip K Dick: The Man in the High Castle (1962)
47. Thomas M Disch: Camp Concentration (1968)
48. Umberto Eco: Foucault's Pendulum (1988)
49. Michel Faber: Under the Skin (2000)
50. John Fowles: The Magus (1966)
51. Neil Gaiman: American Gods (2001)
52. Alan Garner: Red Shift (1973)
53. William Gibson: Neuromancer (1984)
54. Charlotte Perkins Gilman: Herland (1915)
55. William Golding: Lord of the Flies (1954)
56. Joe Haldeman: The Forever War (1974)
57. M John Harrison: Light (2002)
58. Nathaniel Hawthorne: The House of the Seven Gables (1851)
59. Robert A Heinlein: Stranger in a Strange Land (1961)
60. Frank Herbert: Dune (1965)
61. Hermann Hesse: The Glass Bead Game (1943)
62. Russell Hoban: Riddley Walker (1980)
63. James Hogg: The Private Memoirs and Confessions of a Justified Sinner (1824)
64. Michel Houellebecq: Atomised (1998)
65. Aldous Huxley: Brave New World (1932)
66. Kazuo Ishiguro: The Unconsoled (1995)
67. Shirley Jackson: The Haunting of Hill House (1959)
68. Henry James: The Turn of the Screw (1898)
69. PD James: The Children of Men (1992)
70. Richard Jefferies: After London; Or, Wild England (1885)
71. Gwyneth Jones: Bold as Love (2001)
72. Franz Kafka: The Trial (1925)
73. Daniel Keyes: Flowers for Algernon (1966)
74. Stephen King: The Shining (1977)
75. Marghanita Laski: The Victorian Chaise-longue (1953)
76. CS Lewis: The Chronicles of Narnia (1950-56)
77. Joseph Sheridan Le Fanu: Uncle Silas (1864)
78. Stanislaw Lem: Solaris (1961)
79. Ursula K Le Guin: The Earthsea series (1968-1990)
80. Ursula K Le Guin: The Left Hand of Darkness (1969)
81. Doris Lessing: Memoirs of a Survivor (1974)
82. MG Lewis: The Monk (1796)
83. David Lindsay: A Voyage to Arcturus (1920)
84. Ken MacLeod: The Night Sessions (2008)
85. Hilary Mantel: Beyond Black (2005)
86. Michael Marshall Smith: Only Forward (1994)
87. Richard Matheson: I Am Legend (1954)
88. Charles Maturin: Melmoth the Wanderer (1820)
89. Patrick McCabe: The Butcher Boy (1992)
90. Cormac McCarthy: The Road (2006)
91. Jed Mercurio: Ascent (2007)
92. China Miéville: The Scar (2002)
93. Andrew Miller: Ingenious Pain (1997)
94. Walter M Miller Jr: A Canticle for Leibowitz (1960)
95. David Mitchell: Cloud Atlas (2004)
96. Michael Moorcock: Mother London (1988)
97. William Morris: News From Nowhere (1890)
98. Toni Morrison: Beloved (1987)
99. Haruki Murakami: The Wind-up Bird Chronicle (1995)
100. Vladimir Nabokov: Ada or Ardor (1969)
101. Audrey Niffenegger: The Time Traveler's Wife (2003)
102. Larry Niven: Ringworld (1970)
103. Jeff Noon: Vurt (1993)
104. Flann O'Brien: The Third Policeman (1967)
105. Ben Okri: The Famished Road (1991)
106. George Orwell: Nineteen Eighty-four (1949)
107. Chuck Palahniuk: Fight Club (1996)
108. Thomas Love Peacock: Nightmare Abbey (1818)
109. Mervyn Peake: Titus Groan (1946)
110. Frederik Pohl & CM Kornbluth: The Space Merchants (1953)
111. John Cowper Powys: A Glastonbury Romance (1932)
112. Terry Pratchett: The Discworld series (1983- )
113. Christopher Priest: The Prestige (1995)
114. Philip Pullman: His Dark Materials (1995-2000)
115. François Rabelais: Gargantua and Pantagruel (1532-34)
116. Ann Radcliffe: The Mysteries of Udolpho (1794)
117. Alastair Reynolds: Revelation Space (2000)
118. Kim Stanley Robinson: The Years of Rice and Salt (2002)
119. JK Rowling: Harry Potter and the Philosopher's Stone (1997)
120. Geoff Ryman: Air (2005)
121. Salman Rushdie: The Satanic Verses (1988)
122. Joanna Russ: The Female Man (1975)
123. Antoine de Sainte-Exupéry: The Little Prince (1943)
124. José Saramago: Blindness (1995)
125. Will Self: How the Dead Live (2000)
126. Mary Shelley: Frankenstein (1818)
127. Dan Simmons: Hyperion (1989)
128. Olaf Stapledon: Star Maker (1937)
129. Neal Stephenson: Snow Crash (1992)
130. Robert Louis Stevenson: The Strange Case of Doctor Jekyll and Mr Hyde (1886)
131. Bram Stoker: Dracula (1897)
132. Rupert Thomson: The Insult (1996)
133. JRR Tolkien: The Hobbit (1937)
134. JRR Tolkien: The Lord of the Rings (1954-55)
135. Mark Twain: A Connecticut Yankee at King Arthur's Court (1889)
136. Kurt Vonnegut: Sirens of Titan (1959)
137. Horace Walpole: The Castle of Otranto (1764)
138. Robert Walser: Institute Benjamenta (1909)
139. Sylvia Townsend Warner: Lolly Willowes (1926)
140. Sarah Waters: Affinity (1999)
141. HG Wells: The Time Machine (1895)
142. HG Wells: The War of the Worlds (1898)
143. TH White: The Sword in the Stone (1938)
144. Angus Wilson: The Old Men at the Zoo (1961)
145. Gene Wolfe: The Book of the New Sun (1980-83)
146. Virginia Woolf: Orlando (1928)
147. John Wyndham: Day of the Triffids (1951)
148. John Wyndham: The Midwich Cuckoos (1957)
149. Yevgeny Zamyatin: We (1924)



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